
( Brand: Kramer ), ( Manufacturer Part Number: FC1678 ), ( Model: FERRINGTON ), ( Part Type: Acoustic Guitar ), ( Series: Vintage ), ( Dexterity: Right-handed ), ( String Configuration: 6 String ), ( Body Type: Thinline Strat Style ), ( Model Year: 87-89 )
The Kramer Ferrington AC-KFS1 is an exquisite acoustic-electric Stratocaster guitar, bringing together the beloved classic design of the Stratocaster with the convenience and versatility of modern technology. This instrument, designed for the discerning player, is engineered to combine the best characteristics of both electric and acoustic guitars.
Body and Neck:Crafted with a Solid Sitka Spruce top and U-Shape Maple neck, the AC-KFS1 boasts an authentic acoustic tone. This body shape is renowned for its rich, balanced sound while providing perfect ergonomics for hours of comfortable playing. The Maple neck also features a Rosewood fretboard, with a 12" radius and 22 frets, providing a silky feel with excellent sustain and intonation.
Electronics and Hardware:At the heart of this versatile instrument lies a Fishman Pre-amp system. The Acoustic Matrix Under-Saddle pickup captures the whole body's sound while the Sonicore piezo bridge pickup delivers the signal of the strings. With the built-in controls, enhancing your tone becomes a breeze as you can adjust the Volume, Bass, Treble, and Mid EQ settings to achieve your desired sound. The Die-Cast Tuning Machines maintain tuning stability with smooth action.
Design and Finish:The Kramer Ferrington AC-KFS1 is graced with a beautiful Satin Finish in Natural gloss. Adorned with 3 Single-coil Stratocaster pickups, the classic Traditional Stratocaster Horns denote the heritage design while the body's contours provide exceptional playability and comfort. The Silver Molded Plastic Pickguard adds a touch of old-school charm.
Functionality and Versatility:As an acoustic-electric guitar, the AC-KFS1 adapts to various playing scenarios. It effortlessly transitions from a solo performance to a loud band setting, amplifying your sound with its plug-and-play capability. Expect the Kramer Ferrington AC-KFS1 to be your go-to instrument for diverse music genres and settings, all while providing the ideal blend of classic design and modern technology.
The Kramer Ferrington KFS-1 is an acoustic-electric guitar that boasts a Stratocaster-style body shape, making it an intriguing option for musicians seeking a versatile instrument that can comfortably accommodate various musical genres. Let's delve into the pros and cons of investing in this guitar.
Pros:1. Versatile Tone: The acoustic-electric design enables you to switch seamlessly between the pure, rich tonality of an acoustic guitar and the electrified sound of a Stratocaster. This versatility is particularly attractive to performers who desire the flexibility of both worlds.
2. Comfortable Playability: The body shape of the KFS-1 mirrors the popular Stratocaster design, which is renowned for its ergonomic and balanced feel. The C-shaped neck profile and 25.5-inch scale length further contribute to a comfortable playing experience.
3. Dynamic Sound: The solid top of the KFS-1 ensures a natural and dynamic sound that resonates true-to-tone. Its X-bracing design contributes to the guitar's enhanced projection and sustain.
4. Built-In Preamp: The onboard preamp with a tuner allows for easy tuning and volume control. Furthermore, it comes with a phase switch and notch filter to help alleviate feedback, making it more suitable for live performances.
Cons:1. Bridge Design: The negative reports regarding the bridge design are among the most common complaints about the Kramer Ferrington KFS-1. Some users have mentioned issues with intonation, tuning stability, and overall playability. This might necessitate a professional setup to rectify potential issues out-of-the-box.
2. Customer Support: There have been concerns regarding the responsiveness and effectiveness of Kramer's customer support. Some players have voiced frustration about delayed communications or lack of satisfactory resolutions to their problems.
3. Quality Control: The build quality is considered average at best by some guitar enthusiasts. The finish on some guitars has shown signs of flaws such as unevenness, and the hardware may not meet the expectations of seasoned musicians.
Conclusion:In conclusion, the Kramer Ferrington KFS-1 provides an interesting fusion of the vintage charm of a Stratocaster design and the versatility that acoustic-electric guitars offer. Its considerable advantages include its versatility in sound, comfortable playability, and built-in preamp for convenience. Nevertheless, the potential drawbacks the bridge design, customer support, and inconsistent build quality might deter some players from making the purchase.
Recommendation:For musicians who are intrigued by the concept of an acoustic-electric Strat-style guitar and can overlook potential challenges, the Kramer Ferrington KFS-1 might serve as an engaging and versatile addition to their musical instrument collection. However, given the potential drawbacks, it is highly recommended to either consider a different make or model or invest some extra hours (and potentially dollars) into a professional setup to mitigate potential issues, particularly those related to the bridge design.
Msrp was a few months later, the heads, like USA Kramer lines, were changed to pointy droopy variety and diamond inlays in fret board. These guitars were heavily advertised by big names such as eh and wheezily Zappa. Top of the line Tc electronics preamps first batch Ferrington were offered in 1986, KFS-1 strat shape and ft-1 tel. Colors were black, white, red and cherry sunburst.
Kramer Ferrington acoustic electric KFS-1 strat guitar in, began its relationship with Danny Ferrington, the Nashville-based Luther who built several guitars for celebrities and, himself had became a reputable reputation new designs of. Ferrington designed all of the model's Kramer lines and had majority them made in Korea. These sported thin bound front and back bodies, off-round sound hole, bolt on maple necks, banana head stocks, rosewood fret boards, a passive transducer pickup mounted the bridge with volume tone control upper horn of body. The idea was to have an acoustic with feel of electric.